Alison Rose is the winner of the 2015 Maggie Teyte Prize and a 2017 Leonard Ingrams Award. She is a graduate of the Guildhall School of Music and Drama and the National Opera Studio, and is an Associate of the Royal Academy of Music.
Operatic roles include; Papagena, Die Zauberflöte (Glyndebourne Festival Opera); Barbarina, Le nozze di Figaro (Garsington Festival Opera & English National Opera); Governess,The Turn of the Screw (Bury Court Opera); Vixen, The Cunning Little Vixen (Grimeborn Festival / Arcola Theatre); Lady in Waiting, Gloriana (St Endellion Festival with Martyn Brabbins); Miranda, Arnold's The Dancing Master (GSMD); Bětuška, Dvořák’s The Cunning Peasant (GSMD); Servilia, La Clemenza di Tito (RNCM).
Concert highlights include Vaughan Williams’ Serenade to Music at the BBC Last Night of the Proms, Handel’s Messiah at the Royal Albert Hall, Britten’s Les Illuminations at the Southwell Music Festival and solo recitals at the Oxford Lieder Festival and the Royal Opera House Crush Room.
Recent highlights include her debut with Glyndebourne Festival Opera as Papagena in Mozart’s Die Zauberflöte, Mahler’s Symphony no.4 at the Southwell Music Festival and Britten’s Les Illuminations with Sian Edwards for the Lewes Festival of Song. Further performances include her debut with Opera North on their Whistle Stop Opera tour, and a return to ENO for a Studio Live production of Judith Weir’s Blonde Eckbert.
Alison continues her studies in London with Gary Coward.