1. Culture, Counterculture and Conviviality: Natasha Loges
14 October 2022, 11:15am - 3:00pm
11.15am - 12.30pm, Part 1: An Overview of the Salon
1.45pm - 3.00pm, Part 2: Eavesdropping on Pauline Viardot
11.15am–12.30pm PART ONE: AN OVERVIEW OF THE SALON
For centuries, salons have been spaces where artists and audiences, prima donnas and patrons, and radicals and revolutionaries could mix. While some salons were semi-public in nature, others operated below the radar, providing a haven for new, sometimes forbidden thought. This overview introduces some key salons through the ages, considers their importance for musicians and other attendees, and draws us into their uniquely intimate sound-world. Natasha Loges, always one of our most popular speakers, is joined by a team of brilliant young musicians who illustrate both parts of this event.
1.45pm–3.00pm Part Two: Eavesdropping on Pauline Viardot
Linchpin, tastemaker and networker extraordinaire, Pauline Viardot hosted glittering salons at which the great and good of European music congregated. This lecture-recital allows us to eavesdrop on an imaginary evening at 48 rue de Douai, her Paris home.
PRACTICAL INFORMATION
This ticket is valid for both part one and two.
All our seating is unreserved; please arrive in good time to take your seat. For groups of more than 10, please phone or email the box office to book your tickets.
Each part of this event lasts approximately 1 hour 15 minutes, without interval.
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Programme
- Fanny Mendelssohn-Hensel (1805 - 1847)
- Morgenwanderung (1846) WN429
- Mein Liebchen, wir saßen beisammen (1840) 1822-1823
- Schilflied (1846) WN445
- Johanna Kinkel (1810 - 1858)
- Rheinsage (1838) Op. 8 no.2
- Demokratenlied (1848)
- Clara Schumann (1819 - 1896)
- Vorwärts from Drei gemischte Chöre
- Robert Schumann (1810 - 1856)
- Familien-Gemälde (1840) Op. 34 no.4 2–20.vii.1840 from Vier Duette
- Ich bin dein Baum (1849) Op. 101 no.3 1–5.vi.1849 from Minnespiel
- Johannes Brahms (1833 - 1897)
- Wie lieblich sind deine Wohnungen, Herr Zebaoth Op. 45 no.4 from Ein deutsches Requiem
- Rede, Mädchen, allzu liebes (1869) Op. 52 no.1 from Liebeslieder-Walzer
- Am Donaustrande (1869) Op. 52 no.9 from Liebeslieder-Walzer
- Wenn so lind dein Auge mir (1869) Op. 52 no.8 from Liebeslieder-Walzer
- Nachtigall, sie singt so schön (1869) Op. 52 no.15 from Liebeslieder-Walzer
*****
- Pauline Viardot (1821 - 1910)
- Sinitsa, (La Mesange) (1863)
- Séparation (1848)
- Giacomo Meyerbeer (1791 - 1864)
- Ah! mon fils, sois béni! (Act II) (1849) from Le Prophète
- Hector Berlioz (1803 - 1869)
- Nuit d'ivresse (1858) Act IV, no. 37 from Les Troyens
- Charles Gounod (1818 - 1893)
- Tombez, mes ailes! (1866)
- Pauline Viardot (1821 - 1910)
- Na kholmakh Gruzii VWV 1037
- Razgadka VWV 1092
- Camille Saint-Saëns (1835 - 1921)
- Mon cœur s'ouvre à ta voix (1877) Op. 47 from Samson et Dalila
- Pauline Viardot (1821 - 1910)
- Hier je vis circuler une voiture immense (Act I) (1904) from Cendrillon
- Relève-toi, sèche tes pleurs (Act I) (1904) from Cendrillon
- C'est moi, ne craignez rien (Act II) (1904) from Cendrillon
- Louise Héritte-Viardot (1841 - 1918)
- Serenade (1828) D957
- Camille Saint-Saëns (1835 - 1921)
- Berceuse (1871) Op. 38
Artists
Series
14 October 2022 | 11:00am