Titus Ullrich1813 - 1891
Titus Ullrich was a German poet, dramatist, art critic and literary critic from the County of Kladsko. Some of his songs were set by Robert Schumann.
The son of a farmer and grandson of the Mayor of Habelschwerdt (now Bystrzyca Kłodzka), he was born in the Hallmannschen Haus, Ring no. 7, where his mother had taken refuge during the disorder of the war. Raised by his grandfather, he entered the Glatzer Gymnasium in 1825, and proceeded in 1832 to Breslau to study philosophy and classics, continuing his studies in Berlin one year later. He earnt his doctorate in 1836.
The death of his father thwarted his plan of a habilitation, and he took employment as a private tutor in Berlin. His first works, Das Hohe Lied and Viktor, were published in 1845 and 1847 and attracted a cult following. These ambitious philosophical epics championed the ideas of Ludwig Feuerbach. In 1848 he improved his financial position by taking a job as a columnist at the National-Zeitung, where he remained until 1860. He was one of the founders of the Rütli literary group. In 1854 he travelled to Italy, and in 1857 he was able to visit the major art exhibition in Manchester, taking the opportunity to explore England and Scotland, and, on the way home, Belgium and Paris. His observations were published in the National-Zeitung and were collected after his death as Reisestudien (1893).
Towards the end of 1860 he was appointed privy secretary in the offices of the General Intendant of the Royal Theatre. He was later promoted to Privy Counsellor to the King, and then commissary. He continued to publish poetry but later regretted that he had not devoted more effort to his creative writing. His marriage to Emilie Ribbeck was happy and his life generally uneventful. He went into retirement in 1887, and died in Berlin in 1891.
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This list is likely to be of songs that have been performed at Oxford International Song Festivals and Oxford Song events, and may not be comprehensive of this composer's compositions. This database is ever growing as a work in progress, with further songs regularly being added.
|Die Fensterscheibe (1851) Op. 107 no.2 21–23.i.1851||Robert Schumann, arranged Aribert Reimann|
|Die Fensterscheibe (1851) Op. 107 no.2 21–23.i.1851||Robert Schumann|
|Herzeleid (1851) Op. 107 no.1 21–23.i.1851||Robert Schumann, arranged Aribert Reimann|
|Herzeleid (1851) Op. 107 no.1 21–23.i.1851||Robert Schumann|