Anon.
Poet
Anon.
Song List
This list is likely to be of songs that have been performed at Oxford International Song Festivals and Oxford Song events, and may not be comprehensive of this composer's compositions. This database is ever growing as a work in progress, with further songs regularly being added.
| 3. Mon mari m’a diffamé | Germaine Tailleferre |
| 4. Vrai Dieu, qui me confortera | Germaine Tailleferre |
| 5. Couplets bachiques FP 42 no.5 | Francis Poulenc |
| 5. On a dit mal de mon ami | Germaine Tailleferre |
| A Hymn to Divine Musick | William Croft |
| A já ti uplynu (1876) Op. 32 | Antonín Dvořák |
| Abendlied (1816) D382 | Franz Schubert |
| Ablösung im Sommer (1887) no.11 1887-1891 | Gustav Mahler |
| Abschied (Es wehn die Wolken über Meer) | Felix Mendelssohn |
| Ach, englische schäferin (1894) WoO 33 no.8 | Johannes Brahms |
| Ach, není tu (The Maiden's Lament) Op. 73 | Antonín Dvořák |
| Ach, Was Kummer, Qual und Schmerzen (1900) Op. 49 no.8 | Richard Strauss |
| Agnus Dei (1948) Op. 48 | Gabriel Fauré |
| Agnus Dei Op. 148 | Robert Schumann |
| Agnus Dei (1948) Op. 9 | Maurice Duruflé |
| Agnus Dei BWV 232 | Johann Sebastian Bach |
| Agnus Dei | William Byrd |
| Agnus Dei | |
| Ah! che morir vorrei (1790) | Joseph Haydn |
| Ah, que vous êtes heureux! | Sébastian Le Camus |
| Aimez-moi | Pauline Viardot |
| Aj, co to je za slaviček, ‘Hey, what kind of nightingale is this?’ | Leoš Janáček |
| All ye, whom love or fortune hath betrayed | John Dowland |
| All' mein Gedanken WoO 33 no.30 | Johannes Brahms |
| Amidst the shades | Henry Purcell |
| Amintor, heedless of his flocks | Henry Purcell |
| Amor dormiglione | Barbara Strozzi |
| Amor y Perfídia (1918) W135 | Heitor Villa-Lobos |
| An den Schlaf (1816) D447 | Franz Schubert |
| An einen Boten (1919) Op. 96 | Wilhelm Kienzl |
| Annyi bánat a szívemen, 'So much sorrow has bent' (1907) BB47 | Béla Bartók |
| Antwort auf die Frage eines Mädchens Hob. XXVIa:46 | Joseph Haydn |
| Anzoleta avanti la regata (1835) | Gioachino Rossini |
| Anzoleta co passa la regata (1835) | Gioachino Rossini |
| Anzoleta dopo la regata (1835) | Gioachino Rossini |
| Applaud so great a guest | Mary Hudson |
| Apró alma lehullott (1924) 1924-1932 | Zoltán Kodály |
| Aria: Ich habe genug (1731) BWV 82a | Johann Sebastian Bach |
| Asszony, asszony, ki az ágyból! (1924) 1924-1932 | Zoltán Kodály |
| Asszonyok, asszonyok, had’ legyek társatok, 'Women, women, let me be your companion' (1907) BB47 | Béla Bartók |
| Asturiana (1914) | Manuel de Falla |
| Audivi vocem de caelo | Duarte Lobo |
| Aus alten Märchen (1840) Op. 48 no.15 | Franz von Suppé |
| Aus! Aus! (1887) no.8 1887-1891 | Gustav Mahler |
| Ave Regina Caelorum (2014) | Judith Weir |
| Ave verum corpus | William Byrd |
| Ave verum corpus re-imagined | Roderick Williams |
| Baïlèro | Joseph Canteloube |
| Barbara Allen | Roger Quilter |
| Beati quorum via | Sir Charles Villiers Stanford |
| Bénarès: Naissance de Bouddha (1912) | Maurice Delage |
| Benedictus Op. 148 | Robert Schumann |
| Bescheidene Liebe (1877) | Hugo Wolf |
| Bilya richku Cheromoscha, ‘Near the river Cheremoscha’ | Anatoliy Yosypovych Kos-Anatolsky |
| Bist du bei mir (1969) BWV 508 | Benjamin Britten |
| Bist du bei mir | J S Bach, arr. Britten |
| Blackbirds and Thrushes | Cecil Sharp |
| Blås, blås, du vintervind, 'Blow, blow thou winter wind' | Wilhelm Stenhammar |
| Blondel zu Marien (1818) D626 | Franz Schubert |
| Bols Vise (1938) | Ludvig Irgens-Jensen |
| Bonny at Morn (from 'Folk Songs' - Volume 6) (1958) | Benjamin Britten |
| Broshennyi otets, 'An abandoned father' (1948) Op. 79 no.6 | Dmitri Shostakovich |
| Brown is my Love | Roger Quilter |
| Can she excuse my wrongs? | John Dowland |
| Canción (1914) | Manuel de Falla |
| Canción de la Infanta (1886) | Pauline Viardot |
| Cantata 55: Ich armer Mensch, ich Sündenknecht (1726) BWV 55 | Johann Sebastian Bach |
| Cantata 89: Was soll ich aus dir machen, Ephraim (1723) BWV 89 | Johann Sebastian Bach |
| Canticle II 'Abraham and Isaac' (1952) Op. 51 | Benjamin Britten |
| Cantilena (1938) | Heitor Villa-Lobos |
| Caramba (Venezuelan folksong, arr. Carlos Urbaneja) | Otilio Galindez |
| Caro elisir sei mio | Gaetano Donizetti |
| Caro mio druck und schluck (1789) K571 | Wolfgang Amadeus Mozart |
| Ceolos Ascendit Hodie | Sir Charles Villiers Stanford |
| Chanson ‘Les lilas sont en folie’ (1909) | Nadia Boulanger |
| Che fiero costume | Giovanni Legrenzi |
| Clear or cloudy | John Dowland |
| Come again, sweet love doth now invite (1597) | John Dowland |
| Come away, come sweet love (1597) | John Dowland |
| Come sing and dance (1927) | Herbert Howells |
| Come you not from Newcastle? | Benjamin Britten |
| Come, heavy Sleep (1597) | John Dowland |
| Confutatis | |
| Cours (2003) | Germaine Tailleferre |
| Crys y Mab (A Young Man's Shirt) | Rhian Samuel |
| Cum Sanctis | |
| Da unten im Tale WoO 33 no.6 | Johannes Brahms |
| Damask Roses (1908) Op. 12 no.3 | Roger Quilter |
| Das Bächlein Op. 88 no.1 | Richard Strauss |
| Das Bild (1815) D155 | Franz Schubert |
| Das himmlische Leben | Gustav Mahler |
| Das irdische Leben (1892) 1892-1893 | Gustav Mahler |
| De los álamos vengo, madre (1947) | Joaquín Rodrigo Vidre |
| Dear Pretty Youth | Henry Purcell |
| Delám, delám kázání (1924) | Leoš Janáček |
| Den Första Kyssen (1900) Op. 37 no.1 | Jean Sibelius |
| Der 23. Psalm (1820) D706 | Franz Schubert |
| Der Abendstern | Clara Schumann |
| Der englische Gruß (1919) Op. 96 | Wilhelm Kienzl |
| Der Filosof | Velvl Zbarzher |
| Der goldene Morgen | Hugo Wolf |
| Der Leidende 'Klage' (1816) D432 | Franz Schubert |
| Der Liebende WoO139 | Ludwig van Beethoven |
| Der Schildwache Nachtlied (1892) | Gustav Mahler |
| Der Strom (1817) D565 | Franz Schubert |
| Der Tamboursg’sell (1901) | Gustav Mahler |
| Der Yesoymes Brivele (1943) Op. 13 | Mieczysław Weinberg |
| Des Antonius von Padua Fischpredigt (1893) | Gustav Mahler |
| Désinvoluture (2003) | Germaine Tailleferre |
| Die ihr des unermesslichen Weltalls Schöpfer ehrt K619 | Wolfgang Amadeus Mozart |
| Die Sonne scheint nicht mehr WoO 33 no.5 | Johannes Brahms |
| Die Trauernde (1854) Op.7 no.6 | Johannes Brahms |
| Died for Love (1906) | Percy Grainger |
| Dies irae | |
| Dirti addio / 'L'amor funesto' (1842) | Gaetano Donizetti |
| Dolente immagine di Fille mia | Vincenzo Bellini |
| Domine Jesu | |
| Domine Jesu Christe (1948) Op. 9 | Maurice Duruflé |
| Domine, exaudi | Anon. |
| Dort in den Weiden (1894) WoO 33 no.31 | Johannes Brahms |
| Dove sei, mio bel tesoro? (1790) | Joseph Haydn |
| Dyby byla kosa nabróšená (1876) Op. 32 | Antonín Dvořák |
| Early one morning | Benjamin Britten |
| Early One Morning | Trad. arr. Vignoles |
| Ecco di dolci raggi il sol armato | Claudio Giovanni Antonio Monteverdi |
| Eddig való dolgom a tavaszi szántás (1907) BB47 | Béla Bartók |
| Eftirmáli ævintýris (1981) | Atli Heimir Sveinsson |
| Ei saa mitte vaiki olla ('I cannot stay silent') (1896) | Miina Härma |
| Eignir karls (1981) | Atli Heimir Sveinsson |
| El desdichado (Chanson Espagnole a deux voix) (1871) | Camille Saint-Saëns |
| El majo celoso | Fernando Obradors |
| El vito | Fernando Obradors |
| En face (1949) no.5 | Betsy Jolas |
| En parcourant les doux climats | Franz Berwald |
| En Slända (1904) Op. 17 | Jean Sibelius |
| Entre deux mondes (1949) no.1 | Betsy Jolas |
| Erlaube mir, feins Mädchen WoO 33 no.2 | Johannes Brahms |
| Erlustef (1981) | Atli Heimir Sveinsson |
| Es reit ein Herr und auch sein Knecht (1894) WoO 33 no.28 | Johannes Brahms |
| Es steht ein' Lind' WoO 33 no.41 | Johannes Brahms |
| Es sungen drei Engel einen süssen Gesang (1895) | Gustav Mahler |
| Fair house of joy (1908) Op. 12 no.7 | Roger Quilter |
| Fair Phyllis | John Farmer |
| Feinsliebchen, du sollst mir nicht barfuss gehn WoO 33 no.12 | Johannes Brahms |
| Fekete főd, fehér az én zsebkendőm (1907) BB47 | Béla Bartók |
| Find me a lonely cave | John Eccles |
| Fingramál (1981) | Atli Heimir Sveinsson |
| Flora gave me fairest flowers | John Wilbye |
| Flow, my tears (1600) | John Dowland |
| Forte mer (1949) no.6 | Betsy Jolas |
| Franta rasu hrál na basu (1924) | Leoš Janáček |
| Frantíku, Frantíku (1924) | Leoš Janáček |
| Fuglinn í fjörunni | Anon. |
| Für funfzehn Pfennige (1897) Op. 36 no.2 | Richard Strauss |
| Galarnad Heledd (Heledd’s Lament) | Rhian Samuel |
| Gedenke doch, mein Geist, zurücke (1969) | Benjamin Britten |
| Geistliches Lied (1856) Op. 30 | Johannes Brahms |
| Gentilz veneurs | Clément Janequin |
| Gesang aus Fingal (1860) Op. 17 no.4 | Johannes Brahms |
| Già il sole dal Gange (1680) | Alessandro Scarlatti |
| Gloria | William Byrd |
| Gracia mía | Enrique Granados |
| Großmutter Schlangenköchin (1919) Op. 96 | Wilhelm Kienzl |
| Ha kimegyek arr’ a magos tetőre, 'If I go up to the high mountains' (1907) BB47 | Béla Bartók |
| Hat gesagt - bleibt's nicht dabei (1897) Op. 36 no.3 | Richard Strauss |
| Hertig Magnus (1909) Op. 57 no.6 1909-1912 | Jean Sibelius |
| Heyr, himna smiður (Hear, smith of the heavens) (1973) | Þorkell Sigurbjörnsson |
| Hó, hó, krávy dó (1924) | Leoš Janáček |
| Hostias | |
| Hwiangerdd Dinogat (Lullaby for Dinogat) | Rhian Samuel |
| I Gondolieri (1857) | Gioachino Rossini |
| I saw my lady weep (solo lute) (1600) | John Dowland |
| I will give my love an apple | Benjamin Britten |
| I will give my love an apple | Anon. |
| I'll be no submissive wife | George Alexander Lee |
| i. Chacarera (1943) Op. 10 | Alberto Ginastera |
| Ich ging mit Lust durch einen grünen Wald (1887) no.7 1887-1891 | Gustav Mahler |
| Ich habe genug BWV 82 | Johann Sebastian Bach |
| ii. Triste (1943) Op. 10 | Alberto Ginastera |
| iii. Zamba (1943) Op. 10 | Alberto Ginastera |
| Il est quelqu' un sur terre (1942) | Benjamin Britten |
| In darkness let me dwell (1610) | John Dowland |
| In paradisum (1948) Op. 48 | Gabriel Fauré |
| In paradisum (1948) Op. 9 | Maurice Duruflé |
| In stiller Nacht WoO 33 no.42 | Johannes Brahms |
| Introït (1948) Op. 9 | Maurice Duruflé |
| Introït et Kyrie Op. 48 | Gabriel Fauré |
| Introitus (1792) K626 | Wolfgang Amadeus Mozart |
| Introitus: Requiem aeternam (1792) Op. 148 | Robert Schumann |
| Isten veled (1847) S.299 | Franz Liszt |
| Istenem, Istenem, áraszd meg a vizet (1907) BB47 | Béla Bartók |
| iv. Arrorró (1943) Op. 10 | Alberto Ginastera |
| Jesus Christ the Apple Tree | Elizabeth Poston |
| Jeypur: Si vous pensez à elle (1912) | Maurice Delage |
| Jota (1914) | Manuel de Falla |
| Jungfru blond och jungfru brunett, 'Miss Blonde and Miss Brunette' (1909) Op. 26 no.4 | Wilhelm Stenhammar |
| Junggesellenschwur (1901) Op. 49 no.6 | Richard Strauss |
| Justorum Animae | Sir Charles Villiers Stanford |
| J’ai frappé (1922) | Nadia Boulanger |
| Kaddisch (1914) | Maurice Ravel |
| Kantate für Irene Kiesewetter (1827) D936 | Franz Schubert |
| Karel do pekla zajel (1924) | Leoš Janáček |
| Käuzlein (1849) Op. 79 no.10 21.iv–13.v.1849 | Robert Schumann |
| Když mne stará matka (Songs my mother taught me) (1880) Op. 55 | Antonín Dvořák |
| Keine vor der Erde Schönen (1833) | Felix Mendelssohn |
| Kéž duch můj sám ('Leave me alone') (1888) Op. 82 | Antonín Dvořák |
| Khoroshaja zhizn, 'The good life' (1948) Op. 79 no.9 | Dmitri Shostakovich |
| Kisa mín (1981) | Atli Heimir Sveinsson |
| Kitty My Love (1913) | Herbert Hughes |
| Klage (1886) Op. 105 no.3 | Johannes Brahms |
| Klage (1816) D371 | Franz Schubert |
| Klubitsa volnou ('Persian Song') | Anton Rubinstein |
| Kolybel’naya, 'Lullaby' (1948) Op. 79 no.3 | Dmitri Shostakovich |
| Komm lieber Zither, komm (1780) K351 | Wolfgang Amadeus Mozart |
| Komm, süsser Tod (1969) | J S Bach, arr. Britten |
| Koníčky milého, ‘My Lover’s Horses’ | Leoš Janáček |
| Korolevskij pokhod, 'The King's Campaign' (1942) Op. 62 | Dmitri Shostakovich |
| Koza bílá hrušky sbírá (1924) | Leoš Janáček |
| Krakowiaczek | Stanislaw Moniuszko |
| Krummakvæði | Anon. |
| Kyrie (1948) Op. 9 | Maurice Duruflé |
| Kyrie (1792) K626 | Wolfgang Amadeus Mozart |
| Kyrie | William Byrd |
| Kyrie | Gioachino Rossini |
| L'Émeraude (2003) | Germaine Tailleferre |
| L'énigme éternelle (1914) | Maurice Ravel |
| L'Hirondele (2003) | Germaine Tailleferre |
| L'innamorata (1879) | Pauline Viardot |
| L'Insecte (2003) | Germaine Tailleferre |
| L'Oiseau des Îles (2003) | Germaine Tailleferre |
| La belle jeunesse | Francis Poulenc |
| La maîtresse volage FP 42 no.1 | Francis Poulenc |
| La Siesta (1871) | Charles Gounod |
| La Travagliata | Barbara Strozzi |
| Lacrimosa | |
| Lady Isobel and the Elf-Knight (1982) | Judith Weir |
| Laudibus in sanctis | William Byrd |
| Le Roi s'en va-t'en chasse | Benjamin Britten |
| Le Serpent (2003) | Germaine Tailleferre |
| Le souvenir | Francis Poulenc |
| Le souvenir | Henri Sauget |
| Les Chapeaux (2003) | Germaine Tailleferre |
| Leze krtek (1924) | Leoš Janáček |
| Libera me (1948) Op. 48 | Gabriel Fauré |
| Libera me (1948) Op. 9 | Maurice Duruflé |
| Lied des Verfolgten im Turm (1898) | Gustav Mahler |
| Lied zum Geburtstag des Vaters | Fanny Mendelssohn-Hensel |
| Lied zum Geburtstage meines guten Vaters | Felix Mendelssohn |
| Light of the World | Deborah Pritchard |
| Lilla an die Morgenröte (1815) D273 | Franz Schubert |
| Lo spazzacamino (1845) | Giuseppe Verdi |
| Lob des hohen Verstandes (1899) 1892-99, revised 1901 | Gustav Mahler |
| Lost in my Quiet for ever | Henry Purcell |
| Lou Boussu | Joseph Canteloube |
| Love is a Bable | Hubert Parry |
| Lovely Selina | John Blow |
| Lu trademiento (1842) | Gaetano Donizetti |
| Lux aeterna (1948) Op. 9 | Maurice Duruflé |
| Lux aeterna | |
| L’Eraclito amoroso | Barbara Strozzi |
| L’offrande | Francis Poulenc |
| Ma bergère est tendre et fidèle | Michel Lambert |
| Ma, a chi parlo? (1790) | Joseph Haydn |
| Mad Bess (1948) Z370 | Benjamin Britten |
| Mad Song: I burn, I burn | John Eccles |
| Madras: Une belle (1912) | Maurice Delage |
| Mala som já rukávce (1920) H.126 | Bohuslav Martinů |
| Malinconia, ninfa gentile (1829) | Vincenzo Bellini |
| Maria ging aus wandern WoO 33 no.14 | Johannes Brahms |
| Marienwürmchen (1857) WoO 31 no.13 21.iv–13.v.1849 | Johannes Brahms |
| Marienwürmchen (1849) Op. 79 no.13 21.iv–13.v.1849 | Robert Schumann |
| Mały więzień ('Little Prisoner') | Szymon Laks |
| Me voglio fa' 'na casa (1837) | Gaetano Donizetti |
| Mein Mädel hat einen Rosenmund (1894) WoO 33 no.25 | Johannes Brahms |
| Melodia Op. 74 no.9 | Frédéric Chopin |
| Minute (1949) no.3 | Betsy Jolas |
| Mit einer Wasserlilie | Edvard Grieg |
| Moja pieszczotka Op. 74 no.12 | Frédéric Chopin |
| Morgenlied (1816) D381 | Franz Schubert |
| Morgentau (1877) | Hugo Wolf |
| Morire? (1917) | Giacomo Puccini |
| Morirò (1880) | Pauline Viardot |
| Morskaja Carevna, 'The Sea Princess' (1868) | Alexander Borodin |
| Mort quand tu me viendras prendre | Jeanne Landry |
| Muzikanti, 'Musicians' (1908) | Leoš Janáček |
| My op’ning eyes are purg’d | Henry Purcell |
| My thoughts are winged with hopes (1597) | John Dowland |
| Naissance à l’orage (1949) no.2 | Betsy Jolas |
| Nana (1914) | Manuel de Falla |
| När jag för mig själv (1892) | Wilhelm Peterson-Berger |
| Ne plach', moj drug (1894) Op. 38 | Anton Arensky |
| Nicht wiedersehen! (1887) no.13 1887-1891 | Gustav Mahler |
| Now, O, now, I needs must part | John Dowland |
| Nunc Dimittis | Gustav Holst |
| O beata infantia | Hildegard of Bingen |
| O Jugend, o schöne Rosenzeit (1839) Op. 57 no.4 | Felix Mendelssohn |
| O Rubor Sanguinis | Hildegard of Bingen |
| O waly, waly | Anon. arr. Britten |
| O wie herbe ist das Scheiden | Friedrich Silcher |
| Och Moder, ich well en Ding han! (1894) WoO 33 no.33 | Johannes Brahms |
| Offertoire Op. 48 | Gabriel Fauré |
| Oh! Open the door, Lord Gregory | Johanna Kinkel |
| Old-English Song (1940) Op. 38 no.4 | Erich Korngold |
| Oliver Cromwell (1942) | Benjamin Britten |
| Olvad a hó, csárdás kis angyalom (1907) BB47 | Béla Bartók |
| On a time the amorous Silvy (1874) | Hubert Parry |
| Orfeus med sin lutas klang, 'Orpheus with his lute made trees' | Wilhelm Stenhammar |
| Over the mountains | Roger Quilter |
| Pancarte pour une porte d'entrée (2003) | Germaine Tailleferre |
| PART 1: OF INFINITY - 1. Omnis substantia est necessario infinita. | Michael Zev Gordon |
| PART 1: OF INFINITY - 2. Ex necessitate divinae naturae infinita infinitis modis... (2020) | Michael Zev Gordon |
| PART 2: OF AFFECTS - 3. Mens nostra quaedam agit... (2020) | Michael Zev Gordon |
| PART 2: OF AFFECTS - 4. Odium reciproco odio augetur et amore contra deleri potest. (2020) | Michael Zev Gordon |
| PART 2: OF AFFECTS - 5. Qui rei qua semel delectatus est... (2020) | Michael Zev Gordon |
| PART 3: OF MIND - 6. Affectus qui passio est... (2020) | Michael Zev Gordon |
| PART 3: OF MIND - 7. Qui se suosque affectus clare et distincte intelligit... (2020) | Michael Zev Gordon |
| PART 3: OF MIND - 8. Deus expers est passionum nec ullo laetitiae aut tristitiae affectu afficitur. (2020) | Michael Zev Gordon |
| PART 4: OF THE THIRD KIND OF KNOWLEDGE - 10. Ex hoc tertio cognitionis... (2020) | Michael Zev Gordon |
| PART 4: OF THE THIRD KIND OF KNOWLEDGE - 9. Summus mentis conatus... (2020) | Michael Zev Gordon |
| Partage (2003) | Germaine Tailleferre |
| Pastourelle | Joseph Canteloube |
| Pesnja o nuzhde, 'Song of want' (1948) Op. 79 no.7 | Dmitri Shostakovich |
| Pie Jesu (1948) Op. 48 | Gabriel Fauré |
| Pie Jesu (1948) Op. 9 | Maurice Duruflé |
| Polały się łzy me czyste, rzęsiste (1894) Op. 18 no.1 | Ignacy Paderewski |
| Polo (1914) | Manuel de Falla |
| Postouro sé tu m'aymo | Joseph Canteloube |
| Povedz že mi, povedz (1920) H.126 | Bohuslav Martinů |
| Prezc z moich oczu Op. 74 no.6 | Frédéric Chopin |
| Pur dicesti, o bocca bella | Antonio Lotti |
| Recordare | |
| Réveillez-vous | Mátyás Seiber |
| Revelge (1899) | Gustav Mahler |
| Rex tremendae | |
| Rheinlegendchen (1991) 1892-99, revised 1901 | Gustav Mahler |
| Rhyme (1962) | William Walton |
| Romance (Berwald) (1820) | Franz Berwald |
| Romance de Fonte-frida (1988) | Judith Weir |
| Romance de Rosa fresca (1988) | Judith Weir |
| Rondel chinois (1881) L17 | Claude Debussy |
| Roving in the Dew | George Butterworth |
| Ruhet hie, matte Töne BWV 210 | Johann Sebastian Bach |
| Sainte Nitouche (2003) | Germaine Tailleferre |
| Sanctus (1948) Op. 48 | Gabriel Fauré |
| Sanctus Op. 148 | Robert Schumann |
| Sanctus (1948) Op. 9 | Maurice Duruflé |
| Sanctus | William Byrd |
| Sanctus | |
| Sandmännchen (1857) WoO 31 no.4 | Johannes Brahms |
| Scheiden und Meiden (1887) no.12 1887-1891 | Gustav Mahler |
| Schickslaslenker, blicke nieder (Des Tages Weihe) (1822) D763 | Franz Schubert |
| Schwesterlein, schwesterlein, wann gehn wir WoO 33 no.15 | Johannes Brahms |
| Seguidilla murciana (1914) | Manuel de Falla |
| Selbstgefühl (1887) no.14 1887-1891 | Gustav Mahler |
| September (1890) | Wilhelm Stenhammar |
| Sérénade | Francis Poulenc |
| Serenilla de la Zarzuela (1988) | Judith Weir |
| Shall I strive with words to move? | John Dowland |
| Sing Joyfully | William Byrd |
| Slavíkovský polečko malý (1876) Op. 32 no.5 | Antonín Dvořák |
| Sleep, wayward thoughts | John Dowland |
| So oft ich meine Tobackspfeife BWV 515a | Johann Sebastian Bach |
| So wünsch ich ihr ein gute Nacht WoO 33 no.18 | Johannes Brahms |
| Sögugabb (1981) | Atli Heimir Sveinsson |
| Sole e amore (1888) | Giacomo Puccini |
| Son, 'Dream' (1956) Op. 100 | Dmitri Shostakovich |
| Sorrow, stay | John Dowland |
| Spyashchaya Knyazhna, 'The Sleeping Princess' | Alexander Borodin |
| Starke Einbildungskraft (1887) no.9 1887-1891 | Gustav Mahler |
| Stornello (1869) | Giuseppe Verdi |
| Stumme Seufzer, stille Klagen (1714) BWV 199 | Johann Sebastian Bach |
| Sur tous soulas | Clément Janequin |
| Süße, süße Sommernacht | Alexander von Zemlinsky |
| Sweet Polly Oliver | Anon. arr. Britten |
| Syngur lóa | Anon. |
| Székely Lassú | Béla Bartók |
| Szőlőhegyen keresztül (1924) 1924-1932 | Zoltán Kodály |
| Take, O take those lips away (1886) | Hubert Parry |
| Tears (1912) Op. 12 no.2 | Ivor Gurney |
| Tears (1896) Op. 12 no.2 | Samuel Coleridge-Taylor |
| Tengdamæðurnar (1981) | Atli Heimir Sveinsson |
| Teseo mio ben (1790) | Joseph Haydn |
| The Ash Grove | Anon. arr. Britten |
| The ash grove | Benjamin Britten |
| The Bachelor (1922) | Peter Warlock |
| The Ballad of Hnat | Konstantyn Dankevych |
| The brisk young widow | Anon. arr. Britten |
| The crocodile | Benjamin Britten |
| The Cuckoo and the Nightingale (1912) | Anon. arr. Vaughan Williams |
| The faithless shepherdess | Roger Quilter |
| The Foggy Foggy Dew | Benjamin Britten |
| The History of Timon of Athens the Man-Hater: The Cares of Lovers Z. 632 | Henry Purcell |
| The Mermaid | Trad. arr. Vignoles |
| The mouse and the bumblebee (2004) | Richard Rodney Bennett |
| The plough boy | Benjamin Britten |
| The Silver Swan (1612) | Orlando Gibbons |
| The Spanish Lady | Herbert Hughes |
| The Tailor and His Mouse (from Old English Songs) | Rebecca Clarke |
| The trees they grow so high | Benjamin Britten |
| There's none to soothe | Benjamin Britten |
| Though Amaryllis Dance in Green | William Byrd |
| Tigaree Torum Orum | Anon. arr. Hughes |
| Tíha ('Burden') (1908) | Leoš Janáček |
| Time stands still | John Dowland |
| Töltik a nagyerdő útját (1907) BB47 | Béla Bartók |
| Trinklied (1815) D267 | Franz Schubert |
| Trost im Unglück (1892) | Gustav Mahler |
| Tuba mirum | |
| Tumulte (1949) no.4 | Betsy Jolas |
| Tylem wytrwał (1894) Op. 18 no.5 | Ignacy Paderewski |
| U potoka ('At the Brook') (1888) Op. 82 no.4 | Antonín Dvořák |
| Um schlimme Kinder artig zu machen (1887–91) (1887) no.6 1887-1891 | Gustav Mahler |
| Un certo non so che | Antonio Vivaldi |
| Und über dich wohl streut der Wind | Felix Mendelssohn |
| Urlicht (1892) | Gustav Mahler |
| v. Gato (1943) Op. 10 | Alberto Ginastera |
| Vašek, pašek, bubeník (1924) | Leoš Janáček |
| Velet', vtáčku (1876) Op. 32 | Antonín Dvořák |
| Vergebliches Ständchen (Niederrheinisches Volkslied) (1881) Op. 84 no.4 | Johannes Brahms |
| Verlorne Müh’ (1892) | Gustav Mahler |
| Věrnosť ('Faithfulness') (1908) | Leoš Janáček |
| Vi azoy lebt der Kayser | Anon. |
| Vinden och trädet | Ture Rangström |
| Voda a pláč (1876) Op. 32 no.7 | Antonín Dvořák |
| Volkslied (1851) Op. 7 no. 4 Christmas 1840 | Johannes Brahms |
| Vor dem Fenster Op. 14 no.1 | Johannes Brahms |
| Vor der Tür (1860) Op. 28 no.2 1860-1862 | Johannes Brahms |
| Vos me matásteis (1947) | Joaquín Rodrigo Vidre |
| Vos mespris chaque jour | Michel Lambert |
| Wächterlied (1535) no.8 | Trad. |
| Wanderlied (1877) Op. 35 no.3 20–25.xi & 6–29.xii.1840 | Hugo Wolf |
| Wapping Old Stairs (1902) | William Walton |
| Weep you no more (1908) Op. 12 no.1 | Roger Quilter |
| Weep you no more, sad fountains | John Dowland |
| Wenn ich ein Vöglein wär (1840) Op. 43 no.1 2, 3 & 9.x.1840 | Robert Schumann |
| Wer hat das Liedlein erdacht? (1892) | Gustav Mahler |
| Widerstehe doch der Sünde | Johann Sebastian Bach |
| Wie komm' ich denn zur Tür herein WoO 33 no.34 | Johannes Brahms |
| Wiegenlied (1822) D498 | Felix Mendelssohn |
| Wiegenlied (1816) D498 | Franz Schubert |
| Willow Song | Anon. |
| Willst du dein Herz mir schenken BWV 518 | Johann Sebastian Bach |
| Wo die schönen Trompeten blasen (1898) | Gustav Mahler |
| Wojak? Op. 74 no.10 | Frédéric Chopin |
| Wo’s schneiet rote Rosen (1919) Op. 96 | Wilhelm Kienzl |
| Ye Sacred Muses | William Byrd |
| Žalo dievča (The Mower) Op. 73 | Antonín Dvořák |
| Zelenaj se, zelenaj (1876) Op. 32 no.10 | Antonín Dvořák |
| Zu Strassburg auf der Schantz (1887) no.10 1887-1891 | Gustav Mahler |
| Złota rybka | Stanislaw Moniuszko |
| ¿Con qué la lavaré? (1947) | Joaquín Rodrigo Vidre |
| ¿Corazón, porque pasáis ? | Fernando Obradors |
| ¿De dónde venís, amore? (1947) | Joaquín Rodrigo Vidre |
